A Dramaturg’s Bibliography

A New Variorum Edition of Shakespeare: A Midsommer Nights Dreame, ed. Horace Howard Furness (Philadelphia: J. B. Lippincott, 1895).

Aristotle. Aristotle’s Poetics, trans. S. H. Butcher (New York: Hill and Wang, 1961).

Arons, Wendy. “Kurt Hirschfeld and the Visionary Internationalism of the Schauspielhaus Zürich.” Theatre Survey, 28 Dec 2018.

Artaud, Antonin. The Theater and Its Double (New York: Grove, 1958).

Ballet, Arthur. “Fifteen Years of Reading New Plays: Reflections on the Closing of the Office for Advanced Drama Research.” Theater 9.2 (1978).

Berg, A. Scott. Maxwell Perkins: A Life (New York: Penguin Random House, 1978).

Brecht, Bertolt. Brecht on Theatre, ed. and trans. by John Willet (New York: Hill and Wang, 1964).

Brook, Peter. The Empty Space: A Book About the Theatre: Deadly, Holy, Rough, Immediate (New York: Touchstone, 1996).

Chambers, E. K. The Elizabethan Stage (Oxford: Clarendon, 1923).

Clurman, Harold. The Fervent Years: The Group Theatre and The Thirties (Boston: Da Capo Press, 1983).

Conducting a Life: Reflections on the Theatre of María Irene Fornés, ed. by Maria M. Delgado and Caridad Svich (Lyme, New Hampshire: Smith and Kraus, 1999).

Crespy, David. Off-Off-Broadway Explosion: How Provocative Playwrights of the 1960’s Ignited a New American Theater (New York: Back Stage Books, 2003).

Dramaturgy in American Theater: A Source Book, ed. Susan Jonas, Geoffrey S. Proehl and Michael Lupu (Orlando: Harcourt Brace & Company, 1997).

Dryden, John. An Essay of Dramatic Poesy, 3rd edition, ed. William T. Arnold (New York: Andesite Press, 2015).

Freund, Gerald. Narcissism and Philanthropy: Ideas and Talent Denied (New York: Viking Press, 1996).

Genêt, Jean. Letters to Roger Blin: Reflections on the Theater (USA: Editions Gallimard, 1966).

Hagen, Uta. Respect for Acting (Hoboken: Wiley, 2008).

Henslowe, Philip. Henslowe’s Diary. Edited by R.A. Foakes, Cambridge: Cambridge University Press, 2002).

Hiss, Tony. The Experience of Place (New York: Alfred A. Knopf, 1990).

Houseman, John. Run-Through, (New York: Curtis Books, 1972).

Kott, Jan. Shakespeare Our Contemporary (New York: W. W. Norton, 1974).

Lessing, G.E. The Hamburg Dramaturgy, ed. Wendy Arons and Sara Figal (Abington-on-Thames, UK: Routledge, 2018).

London, Todd. An Ideal Theater: Founding Visions for a New American Art (New York: Theatre Communications Group, 2013).

Mamet, David. True and False: Heresy and Common Sense for the Actor (New York: Vintage First Edition, 1997).

Miranda, Lin-Manuel and Jeremy McCarter. Hamilton: The Revolution, (New York: Grand Central Publishing, 2016).

Playwrights for Tomorrow: A Collection of Plays, vol 1-12, ed. Arthur Ballet (Minneapolis: Univ of Minnesota Pr, 1966-75).

The Production Notebooks, Theatre in Process, vol 1-2, ed. Mark Bly (New York: Theater Communications Group: 1995-2001).

Putnam, Robert D. Bowling Alone: The Collapse and Revival of American Community (Simon & Schuster: New York, 2001).

The Roots of African American Drama: An Anthology of Early Plays, 1858-1938, ed. Leo Hamalian and James V. Hatch (Detroit: Wayne State University Press, 1991).

Ruhl, Sarah. 100 Essays I Don’t Have Time to Write (New York: Farrar, Straus and Giroux, 2014),

Saint-Denis, Michel. Theatre: The Rediscovery of Style (New York: Theatre Arts, 1960).

Sheehy, Helen. Margo: The Life and Theatre of Margo Jones (University Park, Texas: Southern Methodist Univ Pr, 1989).

Shellard, Dominic. Kenneth Tynan: A Life (New Haven: Yale Univ Pr, 2003).

Smith, Wendy. Real Life Drama: The Group Theatre and America 1931-1940 (New York: Vintage, 2013).

Stanislavski, Constantin. My Life in Art (Cleveland: Meridian, 1956),

Tynan, Kenneth. Theatre Writings (Los Angeles: Quite Specific Media, 2007).

Zuckmayer, Carl. A Part of Myself: Portrait of an Epoch (Cambridge: De Capo Press, 1993).